from American Printer and Lithographer, vol. 31, 1900.
“A young designer, whose work has considerable interest, is Miss Pamela Coleman Smith. Miss Smith was a student of Pratt Institute, in Brooklyn, where her work, especially in coloring and decoration, attracted attention. She was a tireless worker and produced a great many posters, prints and designs, all peculiar for the wealth of decorative detail and the strength of the coloring. Among other labors of love, Miss Smith designed for her mimic theatre the entire scenery and costumes for eight plays, the text for which she wrote herself. This work showed a marvelous study of costume and great ingenuity and invention. After leaving Pratt much of her work was published by R. H. Russell, notably her color drawing for the play, “Trelawney of the Wells.” In the same line was her work with Irving and Terry for subjects. This latter attracted the attention of Miss Terry. The actress became interested in Miss Smith and when she left for England took with her the young designer. While I know nothing of the plans of either Miss Smith or Miss Terry, it is interesting to think that Miss Smith may be added to the staff of the Irving-Terry company as a sort of official designer, in the same way that Alphonse Mucha is the staff artist and designer of Sarah Bernhardt in Paris. Here is reproduced probably the first design for which Miss Smith was paid. It is an illustration of AEsop’s fable of the “Crow and the Pitcher,” and the original is in three printings—green, red and black. The noticeably weak point in Miss Smith’s work is the lettering. In fact, it is the weak point of all students of Pratt Institute. Good as is that school of design, under the management of Arthur B. Dow, no provision is made for teaching the principles of good, strong, vigorous characteristic and individual lettering. Amateur designers, and in fact many professional designers, do not understand the importance of lettering. The lettering should be a part of the design, not simply an interruption or an impertinence.”